Dramatis Personae

Dramatis Personae:

Keith, or Bear, a 61 year old male

Jody, or Beaver, a 57 year old crippled female

Bloodroot, or Goat, our 27 year old son

Bird, our collapsible manual wheelchair

Tinky-Winky, my walker

Thursday, June 26, 2014

Wednesday, February 12, 2014 - Prada in Big Bend National Park

Yesterday’s near empty tank brought a sleepy headedness to Pearl.  She finds it hard to think without fuel and feared that Bigfoot might munch on her too.  “He may like metal you know,” she admonishes Keith.  “And I am quite attractive, younger and better looking than any of you lot.”   We have a precedent here.  On a prior trip, I recall Bloodroot admiring himself in a spoon proclaiming, “Ah, Beauty.”  Am I to be ever surrounded by this clueless vanity?

We buy gas in Van Horn.  Primed with petrol, Pearl completely recovers from yesterday’s scare.  She heads out down Texas route 90 whistling along, exuding the happiness common amongst all young things.  We cruise through a stark dry country dotted by the Van Horn then Sierra Vieja Mountains to the west.  “Texas?  Mountains?” you ask.  Yes, west Texas boasts numerous mountain chains as the Rockies wind down into Mexico.

We drive through an empty place, encountering perhaps five cars between Van Horn and Marfa.  Yet the desolation creates beauty.  We see roadrunners.  Unlike their cartoon namesakes, they move quite slowly.  Pearl chases the birds off of the road.

Around forty miles north of Marfa we find a Prada store alongside the road in the middle of absolute nowhere.  Another tourist couple stops, snapping photos.   They tell us, “This art was created by a New York artist who tired of Manhattan and wanted to relocate as far from the New York art scene as possible.  He picked Marfa, Texas.”   Fact checking on the internet, I learn that these people were completely full of it.  Two Scandinavian artists working in Berlin created the sculpture as a comment on consumerism. 


Locals immediately vandalized the work, breaking the windows, spray painting the building and stealing all the genuine Prada articles inside.  But this working class rage, this honest response to obscene consumerism doesn't fulfill the artists’ desire.  The artists quickly rebuilt the fake Prada store installing Lexan plexiglass windows, numerous security cameras both outside the building and concealed inside the new bottomless Prada purses.   Prada donated the merchandise twice.


I see the very same anger exploding, inciting the have-nots to attack Prada, one of wealth’s great symbols, also driving the more impoverished Taos locals to spray paint graffiti all over the property of the rich back in Taos.    

The artists themselves want the sculpture to decay into the environment.  They do intend a statement on consumerism.  Their statement isn’t Marxism and class struggle but rather the impermanence of all.  Even the fabulously wealthy will die, fading into dust just as the Prada store will dissolve into the desert.

We drive on to Marfa.  Marfa has become a center for minimalist art but we fail to find any of it.  We drive around the town for a bit, stop at a coffee shop/laundromat duo, obsessively buy more petrol and drive on.  Marfa has revitalized its economy by attracting artists to live and work out here in the middle of the desert.  We see a lot of desperate rural poverty on this trip; it’s good to see a small town doing well.

We arrive at our hotel around 3PM, the only early day we’ve ever had.  Some confusion arises around our reservation.  We finally learn that Bloodroot made the reservation in his name.  As a family of this century, none of us has the same last name.

After check-in, we have three hours of daylight.  “Let’s go!” says Pearl as we head out to Big Bend National Park.  This afternoon we cruise down the Ross Maxwell Scenic Drive taking us past desert vistas and tall mountains devoid of green.


 We stop first at the Tuff Canyon. Bloodroot charges off down the trail into the gulch.  Keith follows him down into the canyon at a bit more leisurely pace.  I drive Sven in circles above them, contenting myself with wildflowers – lupines everywhere.  Scanning the scenery, I begin to think. 


As the eternal student of languages I never master[1], I note that English has two identical words for elevated flat land forms – butte (mound) from the French and mesa (table) from the Spanish.  English, the eternal amoeba, grows by absorbing all other language words, even carefully whispered ones you think that she doesn’t hear. 

My mind wanders back to the Norman Conquest (1066), a time where one would expect the language of the victorious French to replace Old Norse/Germanic English.  Au contraire, English expanded to include the new words brought by the Normans, leaving us Anglophones with two words for most things.  You can come (German kommen) or arrive (French arrive). The French word generally a bit more high-faluting, our language eternally reminds us of who conquered whom all of those years ago.  Bloodroot posits, “Mom, you’re lending credence to my theory that European languages are really all just elaborate hoaxes.” 

The boys return, interrupting my musings. We climb back into Pearl, Bloodroot scurrying to the Castolon Visitor Center to collect the all-important national park stamp.  He then spends ten minutes perfectly parking Pearl, during which time the visitor center closes.  No stamps today.

After shedding a few tears of disappointment for the missing stamps, we venture on out to the Santa Elena Canyon down by the Rio Grande, where we discover an entirely different world.  Limestone cliffs rise 1500 feet above the river.  The river’s water feeds trees and vegetation producing greenery rare for this area.  Across the river, the mesas join together leaving a small passageway, inviting, but unfortunately in Mexico.


 On the Santa Elena Trail, the boys hop across the Terlingua creek and begin walking along the Rio Grande.  They hike up a narrow canyon, watching the river recede as they climb.  Reaching the top of the switchbacks, the boys look north to the Chisos Mountains and south into Mexico, only a few hundred feet away. They walk until dusk descends in the canyon, snapping photos of the moon on their return trip.


 Meanwhile, I motor towards the river for a better look.  Sven quickly raises concerns about the sand, fearing that we will spin ourselves into a hole like Rumpelstiltskin, perhaps emerging in China.    Listening to reason (for once), I return to the picnic table, look out over the river toward the tall cliffs of Mexico, and read my Taos book about Kit Carson.

As the day ends, we drive back out of the park to our hotel in Terlingua, Texas.  When we made our reservations last fall, the hotel staff measured the door to make certain that Sven would fit into the room, calling us back with the results.  Sven would fit.

In reality, the sidewalk and door frame aren’t really wheelchair accessible.  Each time I enter, I take a running start from the parking lot to bump up over the sidewalk curb and the lintel of the door frame.  Sven often gets stuck.  The boys will then provide a power assist for his motor, pushing us into the hotel room.

Our room has no cooking facilities but we do have a picnic table outside on the sidewalk.  We set up our new stove, chop vegetables, and prepare a wonderful steak stir-fry.  The hotel dogs begin circling us warily.  We befriend them by feeding them beef scraps.  They love us. 

After dinner, Bloodroot is still hungry.  He walks over to the hotel’s bar/restaurant seeking ice cream.  A server takes one look at him, sees a starving child needing feeding, and promptly dishes up five scoops of ice cream, which he devours.  We all wish for Bloodroot’s metabolism.  She refuses payment.





[1] Not for a lack of interest.  No employer ever considered me cool enough for an overseas job assignment.

No comments:

Post a Comment