Dramatis Personae

Dramatis Personae:

Keith, or Bear, a 61 year old male

Jody, or Beaver, a 57 year old crippled female

Bloodroot, or Goat, our 27 year old son

Bird, our collapsible manual wheelchair

Tinky-Winky, my walker

Sunday, June 19, 2016

Wednesday, September 30, 2015 To Frankfurt, To Frankfurt

Is there a certain insanity in going to Europe when you can no longer walk? When your body requires two half-hour naps daily? When you can no longer write or type? Of course there is! There is also a certain insouciance and joie de vivre. I thumb my nose at the nasty people who insist that I’m a cripple and now must do nothing but sit in a wheelchair until I die.

Travel for me requires accepting and operating under a completely different mindset. At home I have the power chair Sven. Sven gives me lots of the autonomy. I transfer in and out of him, make my own decisions about where I will go and when and buzz around the house and even the city. Travelling, I must adapt to amazing passivity. Losing agency and any pretense of autonomy, I sit in a manual chair awaiting kindness’ push. I get a lot of enforced rest. Anything I want I must request, reduced to waiting upon the whims of others. Sitting passively for a nine-and-a-half hour flight gives one good practice in patience. But my co-travelers regain control of their bodies when we land; I do not.

Who must agree to my mad travel schemes? Only the Bear, my delightful companion and love of my life. I would never want to journey anywhere without him and he has kindly agreed to push Bird, the manual wheelchair that we’ve named for her many flights overseas and that she permits me to still soar. Despite living in a manual chair, at any moment, I must flawlessly execute sit-to-stand. Sit-to-stand is a very difficult move at the best of times, made more difficult when your brain discredits the sturdiness of your hips. Physically, I must be able to walk ten feet between the bed and the bathroom. I rely heavily on the aid of Tinky the Walker. We take Bird and Tinky with us on all of our adventures. Both bear numerous scars courtesy of the airlines. Sven, my power chair, justifiably fears flying and stays home. Pearl, as a minivan, weighs far too much for airline transport. She remains in her garage and talks to Gimmy the Camry. She tries to put Gimmy up to mischief, but fails.

Enough woolgathering! Back to our Denver departure. Late afternoon, we take a cab to the airport, then go through the security hassle. At DIA, hordes of TSA employees carefully investigate every bit of Bird and me. After wasting a good bit of everyone’s time, they wave us through and we proceed out to Lufthansa’s boarding area.

Walking no longer an option for me, I’m forced to rely upon aisle chairs. As such, I’m the first to board. Bear follows in my wake. For the blissfully uninitiated, using an aisle chair involves two strong people (airline employees) who approach with the chair then strap you securely into it.  They roll the appropriately named chair along the aisles of the airplane. Once at your assigned seat, they lift and deposit you in your place. Once the aisle chair deposits you in your airline seat, you’re expected to stay there. How do I go ten hours without using the bathroom? I wear an adult diaper, of course.


By the time they finish strapping anyone in, they could just as easily transport a corpse on the chair. Keith wants to buy me a gag, so that I would also be silent while tied up. We all have our fantasies, but his will come to naught.

But why have aisle chairs at all? Airlines, of course, function primarily as cargo carriers. You may be human cargo, but are cargo nonetheless. The airline will deliver you to anywhere you contract. You entered into a contract when you purchased a ticket. Read the stuff with the ticket carefully and you’ll see a contract.

For years I thought that the airline was called Lufttanza or “Air Dance.” What a cool name, eh? I speak with a very German stewardess who corrects me. “No, we are Lufthansa.” Or “Air Company.” Boring! “But we have a stylized crane (bird) in our logo. Don’t you like the crane!?” the stewardess continues somewhat fiercely. Not desiring to be thrown off the plane, I hastily agree but silently remain disappointed.

Once deposited in my seat by the airline employees, Bear and I watch our co-travelers find their seats and settle in. I’ve never seen so many people on an airplane. We’ve paid for bigger seats or at least seats with more legroom room than given to the average bear. The seats give us an empty three feet in front of us. We have the sole unoccupied seat on the plane next to us, since apparently no one wanted to chunk out the extra $100 for the seat. But I tell you, we have more room than Economy Plus and we find it well worth the moolah.

The plane departs promptly at 5:30PM. I think all flights to Europe fly overnight. The flight crew keeps giving us more drinks. Every time a wine glass empties they refill it. I ask one of the attendants if they’re trying to keep us sedated. “Is this a plot?” I ask. “Yes,” she admits. I laugh. “No,” she then avers, “I mean no, no, no.”

Lufthansa also has individual computer screens at each seat. You can choose from a very wide range of movies, TV shows, music, spoken word etc. to entertain yourself. My screen is broken. But I hate TV anyway so it’s okay.

Duly sedated by both alcohol and Ambien, I sleep through much of the flight. Thank God for Ambien.


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